{"id":38085,"date":"2018-06-20T14:24:00","date_gmt":"2018-06-20T12:24:00","guid":{"rendered":"https:\/\/sfu.sk\/?post_type=novinka&#038;p=38085"},"modified":"2025-09-03T17:09:07","modified_gmt":"2025-09-03T15:09:07","slug":"ivan-ostrochovsky-domestique-winter-flies","status":"publish","type":"novinka","link":"https:\/\/sfu.sk\/en\/news\/ivan-ostrochovsky-domestique-winter-flies\/","title":{"rendered":"Interview with Ivan Ostrochovsk\u00fd about Domestique and Winter Flies"},"content":{"rendered":"\n<p><strong>Meet Ivan Ostrochovsk\u00fd (1972), film author, director and producer. Before his fiction feature debut <em><a href=\"https:\/\/sfu.sk\/en\/films\/koza\/\">Koza<\/a><\/em> (2015) premiered at the 64th Berlinale, Ostrochovsk\u00fd made several documentaries, eg. <em>Lesser Evil<\/em> (2004), <em>Ilja<\/em> (2010) and <em>Velvet Terorists<\/em> (2013) with Palo Pekar\u010d\u00edk and Peter Kerekes, awarded with the Fedora Award at the 48th KVIFF and Tagesspiegel Readers Award at the 63th Berlinale. He produced <em><a href=\"https:\/\/sfu.sk\/en\/films\/nina\/\">Nina<\/a><\/em> (2017) by Juraj Lehotsk\u00fd, <em><a href=\"https:\/\/sfu.sk\/en\/films\/5-october\/\">5 October<\/a><\/em> (2016) by Martin Kollar and <em><a href=\"https:\/\/sfu.sk\/en\/films\/sunrise-hotel\/\">Sunrise Hotel<\/a><\/em> (2016) by M\u00e1ria Rumanov\u00e1 and coproduced documentary by Erika Hn\u00edkov\u00e1 <em>Matchmaking Mayor<\/em> (2010), feature debut of Iveta Gr\u00f3fov\u00e1 <em>Made in Ash<\/em> (2012) and many more.<\/strong><\/p>\n\n\n\n<p><strong>Two of the films you co-produced were selected for Official Selection \u2013 Competition at Karlovy Vary IFF \u2013 <em><a href=\"https:\/\/sfu.sk\/en\/films\/domestique\/\">Domestique<\/a><\/em> (d. Adam Sedl\u00e1k) and <em><a href=\"https:\/\/sfu.sk\/en\/films\/winter-flies\/\">Winter Flies<\/a><\/em> (d. Olmo Omerzu). What was the collaboration with Czech colleagues like?<br><\/strong><br>I have collaborated with Jirka Kone\u010dn\u00fd and Olmo Omerzu already on their previous film, <em>Family Film<\/em>, and I enjoyed it. I think Olmo creates a very specific and very needed path in Czech cinema. I am his fan and I am glad I could be a part of it.<\/p>\n\n\n\n<p><em>Domestique<\/em> is my first collaboration with Jakub (J\u00edra &#8211; ed.) and Adam (Sedl\u00e1k \u2013 ed.). I actually prefer not to work with people whose work I don&#8217;t know, but Adam&#8217;s clear creative and visual concepts made me change my mind. I believe this is not the last time we hear of him.<\/p>\n\n\n\n<p><strong>What does a film project have to have for you to decide to join it as its (co)producer?<br><\/strong><br>The key for me is, that people who make the film and with whom I might enter into cooperation, are in some aspects smarter than I am.<\/p>\n\n\n\n<p><strong>You are also scriptwriter and film director. Yet, when acting as the film&#8217;s producer, how much do you get artistically involved?<br><\/strong><br>That depends. Yet with the majority of the projects I don&#8217;t enter the creative process at all. As I have already mentioned, I believe that the people whose film I am producing are smarter than I am, and I fully trust them. I have developed this custom when I wait at least one year from the premiere to watch the film I coproduced. I still haven&#8217;t seen <em>Nina<\/em> which premiered here, at Karlovy Vary IFF last year.<\/p>\n\n\n\n<p>As a beginner producer I used to come to the editing room. However, I either left it disappointed when I got the feeling things were not going quite that well, yet when it all went well my author-ego was jealous. No matter what, I never left the room in a good mood. So I stopped visiting it. Honestly, it seems that my absence hasn&#8217;t had any negative effect, and I can sleep better.<\/p>\n\n\n\n<p><strong>How do you see the evolution of the Slovak audiovisual environment and its conditions for film production and coproduction?<br><\/strong><br>Frankly said, a growing number of films being made, a growing cinema admissions, a growing success at important international film festivals, such as Cannes, Berlin or Toronto speak for themselves.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1200\" height=\"503\" src=\"https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22482.jpg\" alt=\"\" class=\"wp-image-11124\" srcset=\"https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22482.jpg 1200w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22482-300x126.jpg 300w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22482-768x322.jpg 768w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22482-600x252.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p><strong><em><a href=\"https:\/\/sfu.sk\/en\/films\/domestique\/\">Domestique<\/a><\/em><\/strong><br>Official Selection \u2013 Competition<\/p>\n\n\n\n<p>Screenings:<br>July 3 | 10:30 | Congress Hall (press &amp; industry)<br>July 3 | 20:00 | Grand Hall (world premiere)<br>July 4 | 13:00 | Pupp Cinema<br>July 6 | 11:30 | Drahom\u00edra Cinema<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22496-1200x800.jpg\" alt=\"\" class=\"wp-image-11133\" srcset=\"https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22496-1200x800.jpg 1200w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22496-300x200.jpg 300w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22496-768x512.jpg 768w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22496-1536x1024.jpg 1536w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22496-2048x1366.jpg 2048w, https:\/\/sfu.sk\/wp-content\/uploads\/2023\/10\/22496-600x400.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n\n<p><strong><em><a href=\"https:\/\/sfu.sk\/en\/films\/winter-flies\/\">Winter Flies<\/a><\/em><\/strong><br>Official Selection \u2013 Competition<\/p>\n\n\n\n<p>Screenings:<br>July 1 | 10:30 | Congress Hall (press &amp; industry)<br>July 1 | 20:00 | Grand Hall (world premiere)<br>July 2 | 13:00 | Pupp Cinema<br>July 4 | 11:30 | Drahom\u00edra Cinema<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Meet Ivan Ostrochovsk\u00fd (1972), film author, director and producer. Before his fiction feature debut Koza (2015) premiered at the 64th Berlinale, Ostrochovsk\u00fd made several documentaries, eg. Lesser Evil (2004), Ilja (2010) and Velvet Terorists (2013) with Palo Pekar\u010d\u00edk and Peter Kerekes, awarded with the Fedora Award at the 48th KVIFF and Tagesspiegel Readers Award at the 63th Berlinale. He produced Nina (2017) by Juraj Lehotsk\u00fd, 5 October (2016) by Martin Kollar and Sunrise Hotel (2016) by M\u00e1ria Rumanov\u00e1 and coproduced documentary by Erika Hn\u00edkov\u00e1 Matchmaking Mayor (2010), feature debut of Iveta Gr\u00f3fov\u00e1 Made in Ash (2012) and many more.<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"kategorie_noviniek":[1965,2036,2037,2145,2144],"festival":[2076],"rok":[2171],"class_list":["post-38085","novinka","type-novinka","status-publish","hentry","kategorie_noviniek-aic","kategorie_noviniek-english","kategorie_noviniek-news","kategorie_noviniek-prezentacia-en","kategorie_noviniek-slovenska-kinematografia-na-festivaloch-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/novinka\/38085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/novinka"}],"about":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/types\/novinka"}],"wp:attachment":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/media?parent=38085"}],"wp:term":[{"taxonomy":"kategorie_noviniek","embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/kategorie_noviniek?post=38085"},{"taxonomy":"festival","embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/festival?post=38085"},{"taxonomy":"rok","embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/rok?post=38085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}