{"id":57966,"date":"2026-05-04T15:54:23","date_gmt":"2026-05-04T13:54:23","guid":{"rendered":"https:\/\/sfu.sk\/?post_type=product&#038;p=57966"},"modified":"2026-05-04T15:54:33","modified_gmt":"2026-05-04T13:54:33","slug":"cinepur-164-2026","status":"publish","type":"product","link":"https:\/\/sfu.sk\/en\/eshop\/cinepur-164-2026\/","title":{"rendered":"Cinepur 164\/2026"},"content":{"rendered":"<p data-start=\"0\" data-end=\"176\">Cinepur 164 prin\u00e1\u0161a pestr\u00fa kolekciu textov, ktor\u00e9 mapuj\u00fa s\u00fa\u010dasn\u00e9 aj historick\u00e9 podoby filmu, seri\u00e1lov, hudby \u010di videohier, a z\u00e1rove\u0148 otv\u00e1raj\u00fa \u0161ir\u0161ie kult\u00farne a spolo\u010densk\u00e9 t\u00e9my.<\/p>\n<p data-start=\"178\" data-end=\"549\">\u00davodn\u00fd editorial Jind\u0159i\u0161ky Bl\u00e1hovej sa venuje fenom\u00e9nu V\u011bry Chytilovej ako tvorivej anom\u00e1lie, ktor\u00e1 z\u00e1sadne ovplyvnila podobu \u010desko-slovenskej kinematografie. Report z festivalu Sundance 2026 od Martina Kudl\u00e1\u010da sleduje premeny filmov\u00fdch \u017e\u00e1nrov a tematiku sexuality v s\u00fa\u010dasnej tvorbe. V sekcii Zoom sa Pavel Sladk\u00fd zaober\u00e1 filmom <em data-start=\"507\" data-end=\"513\">Rose<\/em> a ot\u00e1zkami identity a sebaprijatia.<\/p>\n<p data-start=\"551\" data-end=\"834\">Rubrika Flashback prin\u00e1\u0161a poh\u013ead na Cronenbergovu <em data-start=\"601\" data-end=\"608\">Muchu<\/em> ako netradi\u010dn\u00fd politick\u00fd pr\u00edbeh, zatia\u013e \u010do portr\u00e9t re\u017eis\u00e9rky Jane Schoenbrun sk\u00fama horor ako n\u00e1stroj vyjadrenia identity. Fenom\u00e9n neskor\u00e9ho socializmu a ran\u00e9ho kapitalizmu analyzuje Lubo\u0161 Pt\u00e1\u010dek cez koncept \u201efalo\u0161n\u00fdch rajov\u201c.<\/p>\n<p data-start=\"836\" data-end=\"1171\">Osobitn\u00fa pozornos\u0165 venujeme aj tvorcom \u2013 rozhovor s Mirom Remom pribli\u017euje jeho poh\u013ead na film ako \u017eivotn\u00fa sk\u00fasenos\u0165. Seri\u00e1lov\u00e1 sekcia reflektuje fenom\u00e9n fan\u00fa\u0161ikovskej pornografie, zatia\u013e \u010do hern\u00e1 rubrika sa venuje svetu <em data-start=\"1057\" data-end=\"1087\">Avatar: Frontiers of Pandora<\/em>. Mimo kina sa pozrieme na experimenty umelej inteligencie v projekte <em data-start=\"1157\" data-end=\"1170\">On This Day<\/em>.<\/p>\n<p data-start=\"1173\" data-end=\"1324\">Hudobn\u00e1 rubrika analyzuje estetiku Wong Kar-waia a jeho pr\u00e1cu so soundtrackom, profil predstavuje Andreu Szelesov\u00fa ako v\u00fdrazn\u00fa osobnos\u0165 s\u00fa\u010dasnej sc\u00e9ny.<\/p>\n<p data-start=\"1326\" data-end=\"1452\">Kritick\u00e1 sekcia prin\u00e1\u0161a recenzie filmov, ktor\u00e9 sa zaoberaj\u00fa rodinn\u00fdmi vz\u0165ahmi, mocou, historickou pam\u00e4\u0165ou \u010di mor\u00e1lnou odvahou.<\/p>\n<p data-start=\"1454\" data-end=\"1763\">\u0164a\u017eiskom \u010d\u00edsla je tematick\u00fd blok \u201e\u010cesk\u00e9 anom\u00e1lie\u201c, ktor\u00fd sk\u00fama \u0161pecifik\u00e1 \u010deskej kinematografie \u2013 od h\u013eadania gangsterky, cez experimenty s narat\u00edvom, a\u017e po fenom\u00e9n filmov ur\u010den\u00fdch priamo na video. Nech\u00fdbaj\u00fa ani anal\u00fdzy t\u00e9m ako coming out, susedsk\u00fd horor \u010di reinterpret\u00e1cie archetyp\u00e1lnych pr\u00edbehov Adama a Evy.<\/p>\n<p data-start=\"1765\" data-end=\"1902\" data-is-last-node=\"\" data-is-only-node=\"\">Cel\u00e9 \u010d\u00edslo pon\u00faka mnohovrstevnat\u00fd poh\u013ead na audiovizu\u00e1lnu kult\u00faru \u2013 od festivalov\u00fdch trendov a\u017e po okrajov\u00e9 \u017e\u00e1nre a spolo\u010densk\u00e9 fenom\u00e9ny.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cinepur 164 prin\u00e1\u0161a pestr\u00fa kolekciu textov, ktor\u00e9 mapuj\u00fa s\u00fa\u010dasn\u00e9 aj historick\u00e9 podoby filmu, seri\u00e1lov, hudby \u010di videohier, a z\u00e1rove\u0148 otv\u00e1raj\u00fa \u0161ir\u0161ie kult\u00farne a spolo\u010densk\u00e9 t\u00e9my. \u00davodn\u00fd editorial Jind\u0159i\u0161ky Bl\u00e1hovej sa venuje fenom\u00e9nu V\u011bry Chytilovej ako tvorivej anom\u00e1lie, ktor\u00e1 z\u00e1sadne ovplyvnila podobu \u010desko-slovenskej kinematografie. Report z festivalu Sundance 2026 od Martina Kudl\u00e1\u010da sleduje premeny filmov\u00fdch \u017e\u00e1nrov [&hellip;]<\/p>\n","protected":false},"featured_media":57967,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"product_brand":[],"product_cat":[29,333,327],"product_tag":[],"class_list":{"0":"post-57966","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-casopisy","7":"product_cat-cinepur-tituly-inych-vydavatelstiev-casopisy","8":"product_cat-tituly-inych-vydavatelstiev-casopisy","10":"first","11":"instock","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/product\/57966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/comments?post=57966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/media\/57967"}],"wp:attachment":[{"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/media?parent=57966"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/product_brand?post=57966"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/product_cat?post=57966"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/sfu.sk\/en\/wp-json\/wp\/v2\/product_tag?post=57966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}