Written by many of the most estabilshed authors from the region and some upcoming film scholars with first-hand knowledge of the local culture and language, this collections demonstrates how Eastern European cinema has developed since the fall of the Berlin Wall, yet also how some of its characteristics survived the transition, despite the momentous political and economic changes of the late 1980s and early 1990s. It discusses Eastern European Cinema as an institution, industry and text, looking at fiction and documentary films, popular  and arthouse movies, those made specifically for cinema audiences and those made for television.

As night falls, an ethereal mist creeps over a forest cover as old as the world itself. The primeval howl of a wolf echoes across the mountains, followed by another and yet another wolf. Down in the valley, a wisent turns swiftly, a deer runs off a little and a beaver swims into its hiding place. Only a bear waits in anticipation of sponging off the prey of the wolf.This is the story of one of the last wildernesses in Europe, where each creature plays its role in the eternal cycle of life and death. This land was known in the past as the „Wolf Mountains“.For three years, Slovak filmmaker of wild nature Erik Baláž, together with his friends Karol Kaliský and Jozef Fiala, trekked the length and breadth of the mountains and forests of Eastern Carpathians, a region that straddles Slovakia, Poland and Ukraine.

As night falls, an ethereal mist creeps over a forest cover as old as the world itself. The primeval howl of a wolf echoes across the mountains, followed by another and yet another wolf. Down in the valley, a wisent turns swiftly, a deer runs off a little and a beaver swims into its hiding place. Only a bear waits in anticipation of sponging off the prey of the wolf.This is the story of one of the last wildernesses in Europe, where each creature plays its role in the eternal cycle of life and death. This land was known in the past as the „Wolf Mountains“.For three years, Slovak filmmaker of wild nature Erik Baláž, together with his friends Karol Kaliský and Jozef Fiala, trekked the length and breadth of the mountains and forests of Eastern Carpathians, a region that straddles Slovakia, Poland and Ukraine.

As night falls, an ethereal mist creeps over a forest cover as old as the world itself. The primeval howl of a wolf echoes across the mountains, followed by another and yet another wolf. Down in the valley, a wisent turns swiftly, a deer runs off a little and a beaver swims into its hiding place. Only a bear waits in anticipation of sponging off the prey of the wolf.This is the story of one of the last wildernesses in Europe, where each creature plays its role in the eternal cycle of life and death. This land was known in the past as the „Wolf Mountains“.For three years, Slovak filmmaker of wild nature Erik Baláž, together with his friends Karol Kaliský and Jozef Fiala, trekked the length and breadth of the mountains and forests of Eastern Carpathians, a region that straddles Slovakia, Poland and Ukraine.

As night falls, an ethereal mist creeps over a forest cover as old as the world itself. The primeval howl of a wolf echoes across the mountains, followed by another and yet another wolf. Down in the valley, a wisent turns swiftly, a deer runs off a little and a beaver swims into its hiding place. Only a bear waits in anticipation of sponging off the prey of the wolf.This is the story of one of the last wildernesses in Europe, where each creature plays its role in the eternal cycle of life and death. This land was known in the past as the „Wolf Mountains“.For three years, Slovak filmmaker of wild nature Erik Baláž, together with his friends Karol Kaliský and Jozef Fiala, trekked the length and breadth of the mountains and forests of Eastern Carpathians, a region that straddles Slovakia, Poland and Ukraine.

Janina Duszejko, an elderly woman, lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who or what is the murderer, but nobody believes her.

Film critic and historian 'Mark Cousins' uses film clips, interviews with filmmakers, and illustrative footage of locations around the world to take viewers through film and filmmaking history, from the late 19th century to today, with a particular emphasis on world cinema.

Creation of the Slovak republic in 1993 and first years of its existence are marked with mafia connected to the highest places of the new government. True story about the hijacking of the son of the first president of the Slovak republic.