Introduction (P. Hanáková), 1. World War II in Polish Cinema of the 1960s (P. Zwierzchowski), 2. Eroticism, Power, and Fate in the Cinema of Central Europe (K. B. Johnson), 3. Images of the Holocaust in Polish and other Cinemas of the Visegrad region, 1948–1968 (M. Mikušová), 4. Artistic Dialogues in the Visegrad Cinema of the 1960s (A. Szekfü), 5. “Our Folks”: Ordinary People in Czechoslovak and Polish Cinema around 1968 (I. Kurz), 6. The Problematic Other and the (Im)possibility of Cross-Cultural Dialogue in Slovak Cinema after 1993 (J. Dudková), 7. Leading Tendencies in Polish Postcommunist Cinema: Auteurism, Genre, Vernacularism (E. Mazierska), 8. Imagining national identity in Czech post-communist Cinema (P. Hanáková), 9. State Power and the Body The (Anti-)Abortion Legacies of Communist Romania and Postcommunist Poland... (A. Zielińska)
Anotácia
Introduction (P. Hanáková), 1. World War II in Polish Cinema of the 1960s (P. Zwierzchowski), 2. Eroticism, Power, and Fate in the Cinema of Central Europe (K. B. Johnson), 3. Images of the Holocaust in Polish and other Cinemas of the Visegrad region, 1948–1968 (M. Mikušová), 4. Artistic Dialogues in the Visegrad Cinema of the 1960s (A. Szekfü), 5. “Our Folks”: Ordinary People in Czechoslovak and Polish Cinema around 1968 (I. Kurz), 6. The Problematic Other and the (Im)possibility of Cross-Cultural Dialogue in Slovak Cinema after 1993 (J. Dudková), 7. Leading Tendencies in Polish Postcommunist Cinema: Auteurism, Genre, Vernacularism (E. Mazierska), 8. Imagining national identity in Czech post-communist Cinema (P. Hanáková), 9. State Power and the Body The (Anti-)Abortion Legacies of Communist Romania and Postcommunist Poland... (A. Zielińska)
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