This DVD is a special edition of three documentaries about the memorable, and tragic events of 1968. The Time We Live discusses the social revival in Czechoslovakia around the time of the Prague Spring. Black Days was a special issue of A Week In Film newsreel giving witness to the military intervention of the Warsaw Treaty troops in August 1968. The Wake portrays the events that happened in consequence to this, for many a still traumatizing historical experience. 

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life. 

A colorful story between fantasy and reality about the need for miracles in life. The story is composed as a mosaic. One of the lead characters is Maria, an inn keeper; always a bride, never a wife. The lead male character is Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. Havetta´s debut was inspired by naive art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.

Juraj, a Slovak artist living in Prague, takes stock of his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also needs to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life. 

This is a reconstruction of a daily life of an ordinary family. With kindness and gentle humour, the film reveals the relationship between the older and the younger generation. The original concept of a short film study with authentic characters of the Ravinger family grew into a feature-length picture on the border between a documentary and fiction film. It was made as an improvisation, without a previously approved screenplay, in the course of only twenty days. 

This is ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Lepiš, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of sheep from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.

The Organ is a drama set in the times of the wartime Slovak State. A young Polish deserter and gifted organist finds shelter from the fascists in a Slovak Franciscan monastery. He gets into a conflict with the local organist and choir leader, a man limited in his world views and spiritual values. The collision of talent and beauty with pettiness and close-mindedness leads to envy and ill will, which draw young Felix away from his temporary hiding place and back to the dangers of war.

Concentration camp commander Kraft finds out that prisoner Komínek is a former professional boxer. Overnight, the prisoner is made Kraft´s exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game. 

The Sun in a Net is a lyrical story about the emotions arising among two young people who pretend cynicism and rejection towards society in an attempt to hide their insecurities, lack of experience and fear of adult life. It is the very first Slovak film in the history of Slovak cinema to take on the theme of the natural differences of values and social life in urban and rural settings. The film is considered the beginning of the New Wave in Slovak and Czech cinema of the 1960s.